11/27/2006

Workshop at Honolulu Academy of Arts


Nerikomi & Zogan Inlaid Laminated Colored Porcelain Clay Techniques with Ceramist Dorothy Feibleman


Participants will learn how to work withcolored porcelain clay using a unique variety of coloring and fusing methodsdeveloped by the artist. You will learn how to mix colors, how to makegradations and how to make patterns. They will also complete a vessel orobject and learn finishing techniques.

Date: December 16, 17 and 18, 2006 at the Academy Art Center at Linekona

Tuition: $550-In this intensive three-day workshop

On Friday, December 15 at 7:00 p.m., Feibleman will present an illustrated lecture on her work in the Art CenterCommunity Room. Admission to this lecture is free.

Please mail an application form with your check of $550- to:

Academy Art Center, 1111 Victoria Street Honolulu, HI 96814

For more information, please call (+1) 808-532-8741

or visit to website: http://www.honoluluacademy.org/

11/26/2006

Show closing

Thank you for coming to Dorothy Feibleman's Exhibition at Yufuku Gallery.

If you are interested in her works this time, please check out here:
http://www.yufuku.net/past/2006/dorothy/main4.html























Photo courtesy of Hidetaka

10/24/2006

Dorothy's Solo Exhibition 2

Flyer has arrived!

10/18/2006

Dorothy's Solo Exhibition

Dorothy Feibleman will be having a solo exhibition at Yufuku in Tokyo.

Date: Nov 9th(Thur) - 25th(Sat), 2006
Place: At Yufuku Gallery, 11am - 6pm, Sun&Mon Closed

Address: Annecy Aoyama 1F, 2-6-12 Minami-Aoyama,
Minato-ku,Tokyo 107-0062
Tel: 03-5411-2900
Fax: 03-5411-2901
http://www.yufuku.net/
yufuku@coherence.co.jp


petal sakazuki and shadow sushi plates

10/06/2006

Who is Dorothy Feibleman?


Dorothy Feibleman is one of most experimental porcelain arist in the world. She started working with colored laminated clay (Nerikomi or Neriage in Japanese words) in 1969. In her work, different colored porcelains and clay bodies are laminated together in such a way that every change in color, texture and translucency is structural.


These forms are also dependent on the movement ofthe above elements in the construction, drying and firing. Since 1995 the artist has been working almost exclusively with white clays with varied translucency and color. Recently, in a special project at Jikken kobo, Inax, Tokoname, Japan, Feibleman developed new translucent porcelain and zogan processes for industry. As a result of the research, she made the largest, thinnest translucent nerikomi zogan studio pieces to date.







Detail of the large platter which she holds (above)

In 1973, she moved to England and set up her first studio. She divides her time betweenEngland and Japan where she has been a guest artist at Inax, Tokoname, ShigarakiCeramic Cultural Park, Shigaraki, in 1997 and 1999, and Seto Ceramic & Glass Center, Seto City in 2001.


She set up her own studios in Tokoname, Japan. She has given lectures, demonstrations or taughtat Kyoto Geidai, Tokyo Geidai, Tsinghua University Beijing, PRC, Jingdezhen Art University, PRC, and Rhode Island School of Design, RI, USA. She has participated in many exhibitions internationally. Her works were included in a number of public collections including Victoria andAlbert Museum, London, England, Stuttgart Museum, Germany, Metropolitan Museum ofArt, New York, International Ceramic Studio Museum, Kecskemet, Hungary and Museum ofContemporary Ceramics, Shigaraki, Japan. She has been featured in several publications including Ceramic Monthly Magazine, Dictionary of British Studio Potters, and The Studio Potter.